Showing posts with label Best Original Screenplay. Show all posts
Showing posts with label Best Original Screenplay. Show all posts

Feb 22, 2015

REVIEW: The Grand Budapest Hotel


3/10 - I don't like this movie. 


I literally don't know how to review a movie so polarizing, when I'm on the hate side. Actually it's not even polarizing. It's pretty much unanimously acclaimed. I just straight up don't get it. 

I've enjoyed a few Wes Anderson movies, like The Life Aquatic and Fantastic Mr. Fox. They were ok. I get the two two dimensional stylization. I understand that some people love it and think it's the bee's knee's. I'm on the side of loathing one word defined characters and paper thin plot lines. 

The Grand Budapest Hotel is about some random stuff that I didn't care to follow. I swear to god, I watched this movie twice and that's the best I can come up with. A bunch of white guys run around, some of them have guns. I don't know what to say. It was like watching a foreign film without subtitles. 

For me, I simply cannot connect to an endless stream of identical characters who all look and behave the same. Compound that with my utter lack of interest in following the story of these people and I'm done for.

I've watched a lot of movies. I've seen a lot of weird stuff. I usually try to get the weird stuff, and understand the point of view, even if I don't like it. This movie... The Grand Budapest Hotel is a brick wall. This is going to a concert to see a band and getting a puppet show. 

This is not the movie for me. I hope it loses everything. Sorry not sorry. 

Jan 27, 2015

REVIEW: Boyhood


8/10 - You can film yourself aging while you watch this movie, too!


Boyhood is what I'm calling the clear front runner for this year's Best Picture race. For cinematic innovation it's deserving. Considering how the last decade has gone for movies (badly) it really is a triumph of filmmaking. You will notice however, it's not getting a perfect score because if I'm being honest it's kind of boring and I'll never watch it again.

For those few people unawares, Boyhood is Richard Linklater's latest film. It's a literal coming-of-age drama that follows a young boy, Mason and his family over the years until he departs for college. This is fresh on the heel's of Linklater's successful third installment of his Before series, Before Midnight. The Before series brought audiences into brief moments that were decades apart. Boyhood assembled a film crew for a few scenes every year for 12 years, culminating in a three hour movie concentrate of what childhood looks like. It's almost a polished version of what some of the mumble-core (Ugh I hate that word) movies have tried to accomplish. Drop the viewer into the mundane reality of life, not the elevated fantasy that most films portray.

That leaves my paradox. Watching the cast, namely Ellar Coltrane, literally go through boyhood is the hook. If you were to describe this movie, as I did, you would only talk about that part. But the time between filming is not the point of the movie. There is a real plot. Which isn't about Ellar growing up. Except it sort of is, it's about Mason Jr. growing up. The family goes through a lot of changes. It's about his parents separation, their new relationships, the step children, the ups and downs of puberty. It really is a pseudo documentary that seems to only observe the life of a boy in relevant periods of time, culminating in great personal growth for all the characters and illustrating the struggles and hope in every day life.

I can't quite decide where I land on Boyhood. To some critics, this film is a revelation. And as someone who watches a lot of movies I totally get that. Boyhood breaks the standard movie mold, really pulling on the heartstrings of certain generations (Like those with kids Mason's age or those kids who are Mason's age.) I think many people will leave feeling satisfied with the nostalgic quality of this film. On the other hand there really isn't much of a tangible story to follow and the extremely long three hour time frame is going to turn off many movie goers. This is a film so raw in concept, very humble and endearing, and yet it's inaccessible to so many people. The sentiment I've heard about this movie is "Yeah, I've heard about it. No I'm not going to see it." Which is sort of a shame that this is where we've landed. I'm not going to lie, the lack of "story" is a big turn off for me, too.

Regardless of whether it's an underrated masterpiece, or an overwrought eyeroll, I wish we had more movies like Boyhood. The last few years have made me quite frustrated with the movie scene. There are award dramas that come out at Christmas, Summer action movies, early Spring comedies, and very little innovation. It's all become quite safe. Audiences are being told to anticipate their movie purchases years in advance regardless of whether the film will be any good, and lower budget movies are being swept under the rug. I'm glad that movies like Boyhood and Birdman are doing so well this season. Nothing against Selma or The Imitation Game but they are literally only funded because of the award season cash in. It's nice to see a passion project come to life every once in a while. This is a good passion filled movie. Let it recharge you.

IMDb - Boyhood (8.3)
Wikipedia - Boyhood
Rotten Tomatoes - Boyhood (98%)
Amazon.ca - Boyhood

Jan 16, 2015

87th Annual Acadamy Awards Rundown

Here are a selection of the nominees from this years awards. I'll try to review as many of these as I can and see what shakes out. I'm already predicting a few categories: Boyhood for Best Picture. Many of these, I've also read the screenplays for so perhaps that will work into my review. Worth nothing that Gillian Flynn was shut out of the nominations for Gone Girl. I was also quite surprised Wild wasn't nominated for Best Picture.


Best Picture

American Sniper
Birdman or (The Unexpected Virtue of Ignorance)
The Imitation Game
Selma
The Theory of Everything

Adapted Screenplay

American Sniper (Jason Hall)
The Imitation Game (Graham Moore)
Inherent Vice (Paul Thomas Anderson)
The Theory of Everything (Anthony McCarten)

Original Screenplay

Birdman or (The Unexpected Virtue of Ignorance) (Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr. & Armando Bo)
Foxcatcher (E. Max Frye and Dan Futterman)
Nightcrawler (Dan Gilroy)

Mar 22, 2014

REVIEW: Blue Jasmine


8/10 - Way better than expected. 

This review was a long time coming. It was one of the first Oscar nominated movies that I watched, but I've been stewing on how to phrase my review for a long time.

First and foremost, I've never liked Woody Allen movies. I typically don't relate to that slow, cerebral uncertainty that fuels his many dozens of movies. After 2-3 that did it, I stopped watching his movies. Maybe I judged his body of work prematurely, because this was quite a great movie, but I'm still not particularly interested in watching more of his movies.

The other reason to preface this review would be because of the controversy that has surrounded Woody Allen during this years award season. I'm not interested in dancing with the veil that the morals of the individual should have some reflection in how we perceive their work. I found myself quite frustrated with the fact that over and over again Cate Blanchett would get on stage, having won awards for this movie, and praise the great female roles that were being written, and over and over again she would be overshadowed by media coverage of a 20 year old scandal.

So. Having said that. Blue Jasmine is a movie about a rich woman going poor. That's too simplistic of a definition for a movie this complicated, but there it is. Under the surface layer, this film is about a woman who has protected herself in layers of narcissism, and her need to rebuild relationships. There are some terrific performances supporting the infallible Cate; Alec Baldwin, Louis C. K., Sally Hawkins, and Bobby Cannavale. It's a stunning cast that scrambles around Jasmine as her world unravels. This movie is not just about social class, but it's about empathy and understanding of individuals for whatever position they are in. It's of the typical Woody storytelling, with lots of talking and big characters. This movie explores fantasy and reality, what is selfish and what is selfless. It's quite engaging and interesting, if not a bit dull at times. I had a hard time understanding what was happening to the characters, but some of that was probably intentional.

Although Blue Jasmine was nominated for Best Original Screenplay, it strikes me as a Best Picture nominee. This is a filmmakers story, not on the page but in the eye. The Academy Awards recognized this work with the Best Actress statue going to Blanchett. I'm of the opinion that this award belongs to Allen. This was the best female character written, this was the best female driven film this year.

IMDb - Blue Jasmine (7.4)
Wikipedia - Blue Jasmine
Rotten Tomatoes- Blue Jasmine (91%)
Amazon.ca - Blue Jasmine

Feb 8, 2014

86th Annual Academy Awards Rundown

The Oscars are coming up, and like every good movie buff, I'm going to try to watch all the Best Picture nominees, as well as the Best Screenplay and Best Adapted Screenplay nominees. I've already watched a few of these so hopefully a quickie review will be soon to follow. 

Best Picture 

American Hustle
Captain Phillips
Nebraska
12 Years a Slave


Best Adapted Screenplay 

Captain Phillips (Billy Ray)
12 Years a Slave (John Ridley)


Best Original Screenplay 

American Hustle (Eric Warren Singer, David O. Russell)
Blue Jasmine (Woody Allen)
Nebraska (Bob Nelson)